{"id":1626,"date":"2020-10-12T09:43:55","date_gmt":"2020-10-12T13:43:55","guid":{"rendered":"https:\/\/library.une.edu\/art-galleries\/?page_id=1626"},"modified":"2026-06-22T12:06:57","modified_gmt":"2026-06-22T16:06:57","slug":"upcoming-exhibits","status":"publish","type":"page","link":"https:\/\/library.une.edu\/art-galleries\/home\/portland-campus\/exhibits\/upcoming-exhibits\/","title":{"rendered":"Upcoming Exhibits"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Arrows &amp; Operators: Visual Debates in Music<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">July 10 &#8211; November 1, 2026<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Opening reception Friday, July 10, 5 &#8211; 7 p.m.; featuring a live performance of selections from Cornelius Cardew\u2019s <em>Treatise<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Beginning in the 1950s, composers in search of new sounds and new modes of performance began to push beyond the limits of traditional notation and experiment with alternative ways of visualizing sonic thought. This exhibition juxtaposes Cornelius Cardew\u2019s <em>Treatise<\/em> \u2014 the landmark graphic score composed between 1963 and 1967 \u2014 with works by contemporary artists who approach the graphic score from a variety of positions: as guide, as archivist, as scribe. <em>Treatise<\/em> functions here as both a visual and conceptual anchor, opening up larger questions of how information is imagined, structured, and shared, when seeking to describe what lies beyond the constraints of language.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Participating artists: CF, Phillip Greenlief, Frank Mauceri, and Lauren Tosswill.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Treatise<\/em> performers include Jeremy Brogan, Phillip Greenlief, Sigrid Harmon, Tessa Irons, Bonnie Han Jones, Frank Mauceri, and Cleek Schrey.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arrows &amp; Operators: Visual Debates in Music July 10 &#8211; November 1, 2026 Opening reception Friday, July 10, 5 &#8211; 7 p.m.; featuring a live performance of selections from Cornelius Cardew\u2019s Treatise Beginning in the 1950s, composers in search of new sounds and new modes of performance began to push beyond the limits of traditional [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":352,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1626","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.une.edu\/art-galleries\/wp-json\/wp\/v2\/pages\/1626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.une.edu\/art-galleries\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.une.edu\/art-galleries\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.une.edu\/art-galleries\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/library.une.edu\/art-galleries\/wp-json\/wp\/v2\/comments?post=1626"}],"version-history":[{"count":67,"href":"https:\/\/library.une.edu\/art-galleries\/wp-json\/wp\/v2\/pages\/1626\/revisions"}],"predecessor-version":[{"id":3301,"href":"https:\/\/library.une.edu\/art-galleries\/wp-json\/wp\/v2\/pages\/1626\/revisions\/3301"}],"up":[{"embeddable":true,"href":"https:\/\/library.une.edu\/art-galleries\/wp-json\/wp\/v2\/pages\/352"}],"wp:attachment":[{"href":"https:\/\/library.une.edu\/art-galleries\/wp-json\/wp\/v2\/media?parent=1626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}